Saturday, July 6, 2013

July 6 - Mischief and Mayhem


Goat Hall Productions Presents


Fresh Voices XIII: Mischief and Mayhem


Allan Crossman


Mozart,


Where Are You? (John McGrew)


Supriya Sanjay
Richard Mix
Molly Mahoney



Allan Crossman
Border Songs


Molly Mahoney





Mark Alburger  
The Decameron - First Day, Op. 200 (2012) (after Giovanni Boccaccio)
      Novel I. Ser Ciappelletto Cheats a Holy Friar


      Novel II. Abraham Sees the Depravity of the Clergy


      Novel III. Melchizedek, with the Story of the Three Rings,
            Escapes a Perilous Snare Set by Saladin
      Novel IV. A Young Monk, Lapsing into Sin,
             Justly Censures the Same Fault in his Abbot,
             and thus Evades Penalty
      Novel V. The Marchioness of Monferrato,
             by a Banquet of Hens Seasoned with Wit,
             Checks the Mad Passion of the King of France
  


Novel VI. A Worthy Man, by an Apt Saying,

            Puts to Shame the Hypocrisy of a Friar Minor
     Novel VII. Bergamino, with a Story of Primasso and the Abbot of Cluny,
           Censures a Sudden Avarice in Messer Cane della Scala


Novel VIII. Guglielmo Borsiere, by a Neat Retort,
           Sharply Censures Avarice in Messer Ermino de' Grimaldi
     Novel IX. The Censure of a Gascon Lady Converts the King of Cyprus from a
           Churlish to an Honorable Temper
     Novel X. Master Alberto da Bologna Honourably Puts to Shame a Lady
           Who Sought Occasion to Put Him to Shame in that He Was in Love with Her

Kate Bautch
     Lady I, Moneylender I, Abraham, Melchizedek,
     Worthy Man, Primasso, Gascon Lady,
     Other Lady I
Sarita Cannon
     Lady II, Holy Friar, Saladin, Boon Companion I,
     The Abbot of Cluny, Guglielmo Borsiere,               
     Certain Ruffian I, Other Lady II
Cass Panuska
     Lady III, Monylender II, Jehannot,
     The Marchioness of Monferrato, Boon Companion II,
     Bergamino, Cypriot, Madonna Malgherida de' Ghisolieri
Jill Wagoner
     Lady IV, Young Monk, Knight, Friar Minor, Cluniate Monk,
     Messer Ermino de' Grimaldi, Certain Ruffian II, Other Lady III
Mark Alburger - Giovanni Boccaccio, Young Man, Ser Ciappelletto,
     Old Abbott, The King of France, Reporter, Messer Cane della Scala,
     The King of Cypress, Master Alberto da Bologna
Keisuke Nakagoshi
     Piano
Harriet March Page
     Director

MARK ALBURGER (b. 1957, Upper Darby, PA) is an award-winning, eclectic ASCAP composer of postminimal, postpopular, and postcomedic sensibilities -- whose music is played around the world, and who has become the subject of articles in The Grove Dictionary of American Music (2nd ed.), Grove Online, and Wikipedia.  He began playing the oboe and composing in association with James and Dorothy Freeman, George Crumb, George Rochberg, and Richard Wernick.  His principal teachers were Gerald Levinson, Joan Panetti, and James Freeman (Swarthmore College, B.A.); Jules Langert (Dominican University, M.A.); Christopher Yavelow (Claremont University, Ph.D.); and Terry Riley.  He is Music Director of Goat Hall Productions, The Opus Project, and San Francisco Composers Chamber Orchestra; and Professor in Music Theory and Literature at Diablo Valley College.  Alburger serves as Editor-Publisher of 21st-Century Music, and New Music Publications and Recordings, which is issuing his complete works.  Other CD's of Alburger’s music are available on the North/South Consonance (Diversions / The Twelve Fingers and American Tapestry / Symphony No. 1) and I Kill Me Music (Camino Real) labels.  Composer of 215 major works, he is shooting for Op. 444, in his 93rd year.  Alburger's Interrupted Interludes, Op. 7 will be given on July 27 at DVC.

THE DECAMERON - FIRST DAY, Op. 200 (2012, after Giovanni Boccaccio), the first of an intended 10-opera cycle (through Fourth Day, Novel I to date), is an irreligious medieval sexual romp troped on Charles Ives's 114 Songs, with crusading invaders including 12-bar blues, the Gregorian chant Kyrie IV, swing and Latin-American rhythms, the Orkney Islands Hymn to St. Magnus, Maurice Jarre's Dr. Zhivago, Philip Glassian minimalism, Alban Berg's Wozzeck, Samuel Barber's Second Essay for Orchestra, and F.J. Haydn's Symphony No. 102 ("Clock").


John Bilotta


Quantum Mechanic (John McGrew)


Betina Smith
     Mrs. Schroedinger
Justin Marsh
     Quantum Mechanic
Sarita Cannon
Michelle Jasso
Molly Mahoney
     Quark Sisters


Mark Alburger
     Aesop


Friday, July 5, 2013

July 5 - Fresh Voices XIII


Goat Hall Productions


presents


Fresh Voices XIII: Mischief and Mayhem


Allan Crossman


Mozart, 


Where Are You? (John McGrew)


Supriya Sanjay
Richard Mix
Molly Mahoney




Mark Alburger


The Decameron - First Day  (after Giovanni Boccaccio)


Kate Bautch
Sarita Cannon
Cass Panuska
Jill Wagoner
Mark Alburger


John Bilotta


Quantum Mechanic (John McGrew)


Betina Smith
Justin Marsh
Sarita Cannon
Michelle Jasso
Molly Mahoney
Mark Alburger

Saturday, June 29, 2013

June 29 - Opus 6


THE OPUS PROJECT

Opus 6

8pm, Saturday, June 29, 2013
Berkeley Arts Festival
2133 University Avenue, Berkeley, CA

Op. 6, No. 1

Arnold Schoenberg (1874-1951)        
Eight Songs, Op. 6 (1905)
     IV. Ghasel (Keller)

     Letitia C. Page, Soprano
     Mark Alburger, Piano

Bela Bartok (1881-1945)             
14 Bagatelles, Op. 6 (1908)
     VI. Lento

     Mark Alburger, Piano

Igor Stravinsky (1882-1971)
Two Melodies, Op. 6 (1908) (Sergei Gorodetsky)
     II. A Song of the Dew
     (Mystic Song of the Ancient Russian Flagellants)

     Letitia C. Page, Soprano
     Mark Alburger, Piano

Anton Webern (1883-1945)
Six Pieces for Orchestra, Op. 6 (1909)
     I. Langsam
     The Opus Project Orchestra

Alban Berg (1885-1935)
Three Pieces for Orchestra, Op. 6 (1915)
      I. Praludium (Langsam)

     The Opus Project Orchestra

Sergei Prokofiev (1891-1953)     
Dreams, Op. 6 (1910)
     Introduction

     Video Animation
     Henry Fuseli (1741-1825) - The Nightmare (1781)   

Paul Hindemith (1895-1963)      
Eight Waltzes ("Drei Wunderschone Madchen im Schwarzwald"), Op. 6 (1916)
     I. Langsames Walzertempo

     The Opus Project Orchestra

Op. 6, No. 2
               
Dmitri Kabalevsky (1904-1987)     
Sonata No. 1 in F Major, Op. 6 (1927)
     II. Andantino semplice

     Helena Michelson, Piano

Dmitri Shostakovich (1906-1975)
Suite for Two Pianos, Op. 6 (1922) (Wesley Asakawa, orch.)
     I. Prelude (Introduction and Finale)

     The Opus Project Orchestra

Samuel Barber (1910-1981)     
Cello Sonata, Op. 6 (1932)
     III. Allegro appassionato (Introduction)

     John Michel, Cello - Video

Benjamin Britten (1913-1976)
Suite, Op. 6 (1935)
     I. March

     The Opus Project Orchestra

Elmer Bernstein (1922-2004)     
The Magnificent Seven (1960)

     Classical Brass Quintet

John Cheetham (b. 1939)         
Scherzo (1963)

     Classical Brass Quintet

Jan Pusina (b. 1940)         
Phonemes ("Say That Again"), Op. 6 (1973)

     Jan Pusina, Tape

Mark Alburger (b. 1957)         
Variations and Theme, Op. 6 (1976)

     Mark Alburger - Video

Helena Michelson (b. 1966)       
The Game (2010)
     "Yet love, mere love, is beautiful indeed"

     Helena Michelson, Piano

Michael Stubblefield (b. 1989)     
Cadenza in Bb Minor (2011) (5')

     Alan Kingsley, Flute
     Mark Alburger, Piano


THE OPUS PROJECT ENSEMBLE

Mark Alburger                 
Music Director and Conductor


Flute       
Alan Kingsley
Martha Stoddard

Clarinet
Wesley Asakawa

Bassoon
Lori Garvey
Michael Garvey

Trumpet
John Hagglof+
Don Moffitt+

Horn
Sally Johnson+
Priscilla Nunn
Jan Pusina

Trombone
Dean Leonard+
Zach Newbegin

Tuba
Dustin Short
Francis Upton IV


Soprano
Letitia C. Page

Piano
Mark Alburger
Patti Deuter
Helena Michelson

Percussion
Ken Crawford

Violin I
Lawrence Huang
Corey Johnson

Violin II
Maria Gusenkov

Viola
Carol Earley
Kat Walsh

Bass
Michael Stubblefield

+Classical Brass Quintet


THE OPUS PROJECT presents

OPUS 7 - 8pm, Saturday, July 27, 2013,
Diablo Valley College Music Building Room 101 Choral Auditorium, Viking Drive, Pleasant Hill, CA

A Multi-Media Event, with Classical Brass Quintet, and The Opus Project Quartet and Orchestra

Arnold Schoenberg (1874-1951)    String Quartet No. 1, Op. 7, No. 2 (1905)
Bela Bartok (1881-1945)            String Quartet No. 1, Op. 7, No. 4 (1909)
Igor Stravinsky (1882-1971)        Etude, Op. 7, No. 1 (1908)
Anton Webern (1883-1945)        Four Pieces for Violin and Piano, Op. 7 (1909)
Alban Berg (1885-1935)            Wozzeck: Lullaby, Op. 7 (1925)
Dmitri Shostakovich (1906-1975)        Scherzo in Eb-Major for Orchestra, Op. 7 (1924)
Samuel Barber (1910-1981)        Music for a Scene from Shelley, Op. 7 (1933)
Benjamin Britten (1913-1976)        Friday Afternoons, Op. 7 (1935)
Bill Holcomb (1924-2010)        Katrina Suite: Storm (2010)
Mark Alburger (b. 1957)            Interrupted Interludes, Op. 7 (1976)


Arnold Schoenberg (1874-1951)     
Eight Songs, Op. 6 (1905)
     IV. Ghasel (Middle-Eastern stanza) (Gottfried Keller)


Ich halte dich in meinem Arm, du hältst die Rose zart,
Und eine junge Biene tief in sich die Rose hält.
So reihen wir uns perlenhaft an einer Lebensschnur,
So freun wir uns, wie Blatt an Blatt sich an der Rose schart.
Und glüht mein Kuß auf deinem Mund, so zuckt die Flammenspur,
Bis in der Biene Herz, das sich dem Kelch der Rose paart.

I think of you near me, as a tender rose.
And I a young bee deep within.
Our life a string of pearls in the enclosure,
Our affection, as petals encircled
And my kiss glows on your lips, as sparks fly up,
From the heart of the encircling rose.


Igor Stravinsky (1882-1971)     
Melodie, Op. 6, No. 1 (1908) (Sergei Gorodetsky)(6')
     II. A Song of the Dew
     (Mystic Song of the Ancient Russian Flagellants)

O mother earth, o dear one,
O fruitful one, o brown one!
The dingy hut is empty.
O come, celestial Spirit,
And bring us holy water;
With faith we'll glean each droplet,
   We have lingered, we have languished,
   Whilst our locks we plaited
   Sad and weary, lonely pining,
   Whilst we gleaned the dewdrops.
   And at each cool drop we murmured,
   And we sang in chorus,
   Gently thrusting slender branches
   Towards one another:
   Spinster shall remain the maiden;
   Would she be a bride?
   Bringest thou fine gifts, o maiden;
   That wouldst be a bride?
   Blush not, give the mark so dainty
      that adorns thy nape.
   Blush not, give a cross well polished,
      give a cross of ash!
   Hear ye not how in the yard
   Proudly strutting, mounting guard,
   A fine cockerel crows high!
   Rustles spreading far and wide:
   Soon, aye, soon, at eventide,
   Each of you shall be a bride!
A seat of loam well trodden,
Dull panes in every window,
The dingy hut stands empty.
He comes, the Holy Spirit,
He casts o'er us his shadow.
O sisters, praise the Maker!


Saturday, May 25, 2013

May 25 - Opus 5


THE OPUS PROJECT

Opus 5

8pm, Saturday, May 25, 2013
Berkeley Arts Festival
2133 University Avenue, Berkeley, CA



Op. 5, No. 1

Sergei Rachmaninoff (1873-1943)*
Suite No. 1, Op. 5
     III. Tears (Largo di molto - G minor)
     IV. Easter (Allegro maestoso - G minor)


          Feona Lee Jones and Jerry Kuderna, Piano Four-Hands



Arnold Schoenberg (1874-1951)        Pelleas und Melisande, Op. 5 (1903)*
     Hervor (Outside)

          The Opus Project Orchestra



Leonardo de Lorenzo (1875-1962)   
L'Appassionata (Fantasia Sentimentale), Op. 5 (1904)


       Kris Palmer, Flute / Feona Lee Jones, Piano

  
Bela Bartok (1881-1945)       
Two Portraits, Op. 5 (1908)
     II. Presto (Valse) - One Imperfect (One Grotesque)


          The Opus Project Orchestra


 Igor Stravinsky (1882-1971)       
The Rite of Spring (1913)*
     I. Introduction / II. Dances of the Adolescents

          The Opus Project Orchestra



Anton Webern (1883-1945)*       
Five Pieces for String Quartet, Op. 5 (1909)
     II-IV
                   
          The Opus Project Quartet



Alban Berg (1885-1935)       
Four Pieces for Clarinet and Piano, Op. 5 (1913)*
     I. Heavy - Slow / II. Very Slow / III. Very Fast / IV. Slow

          Michael Kimbell, Clarinet / Elizabeth Lee, Piano






Sergei Prokofiev (1891-1953)       
Sinfonietta, Op. 5 (1909) (3')
     IV. Scherzo: Allegro risoluto

          Philharmonia Orchestra / Video

Darius Milhaud (1892-1975)       
String Quartet No. 1, Op. 5 (1912)
     I. Rhythmic

          The Opus Project Quartet



Paul Hindemith (1895-1963)       
Funny Songs in Swiss-German Dialect, Op. 5 (1916)
     I. Schlossli Bschnyde


          David Chavez, Tenor / Feona Lee Jones, Piano


Op. 5, No. 2

Dmitri Kabalevsky (1904-1987)   
Piano Prelude, Op. 5, No. 1 (1927)

     Feona Lee Jones, Piano



Dmitri Shostakovich (1906-1975)   
Three Fantastic Dances, Op. 5 (1920)
     I. March - Allegretto / II. Waltz - Andantino / III. Polka - Allegretto

          Elizabeth Lee, Piano
 
Samuel Barber (1910-1981)       
Overture to "The School for Scandal", Op. 5 (1931)
     Introduction

          The Opus Project Orchestra

John Cage (1912-1992)       
The Seasons, Part II (1947)
     Prelude 3 / Summer / Prelude 4 / Fall

     Patti Deuter, Piano



Benjamin Britten (1913-1976)*   
Holiday Diary, Op. 5 (1934)
     I. Early Morning Bathe

          Shura Cherkassky, Piano / Video   

Witold Lutoslawski (1913-1994)*   
Venetian Games (1960)
                        I. Allegro

                        The Opus Project Orchestra



Jan Pusina (b. 1940)       
Tape Composition No. 2, Op. 5 (1975)
                   
          Jan Pusina / Video



Allan Crossman (b. 1942)       
Suite-Fantasy, Op. 5 (1964)
     Allegretto in C



          Alan Crossman, Piano



Harry Bernstein (b. 1948)       
Mother Goose Suite (2003)*
     If All the World Was Apple Pie

          The Opus Project String Trio



John Bilotta (b. 1948)       
Prelude and Dance, Op. 5 (1977)

          Allan Crossman, Piano
                       
Mark Alburger (b. 1957)       
The Lord's Prayer, Op. 5 (1975)

          The Opus Project Orchestra


Anthony Ragus (b. 1993)        
Rabbits Frolicking Through the Meadow (2013)


           Anthony Ragus, Trumpet / Jerry Kuderna, Piano

 *140th, 130th, 120th, 110th, 100th, 70th- and 10th-Anniversaries


THE OPUS PROJECT ORCHESTRA

Mark Alburger
Music Director and Conductor

Flute       
Harry Bernstein
Amar Khalsa
Alan Kingsley
Kris Palmer
Bruce Salvisberg

Oboe
Suzanne Christensen
Eva Langfeldt

Clarinet
Amar Khalsa
Michael Kimbell

Bassoon
Scott A. Blakley
Lori Garvey
Michael Garvey

Trumpet
Cindy Collins
Anthony Ragus

Horn
Priscilla Nunn
Jan Pusina
Valerie Senavsky

Trombone
Zach Newbegin
                  

Tenor
David Chavez

Piano
Allan Crossman
Patti Deuter

 
Feona Jones



Jerry Kuderna
Elizabeth Lee



Percussion
Victor Flaviani

Violin I
Elicia Fox
Lawrence Huang
Carolyn Lowenthal*


Violin II
Angelica Camacho
Maria Gusenkov
Ralph Morrison*

Viola
Harry Bernstein
Carol Earley
Sahib-Amar Khalsa
Marion Taylor*

Cello
Heidi Jones



Elizabeth Morrison*

Bass
Travis Kindred


Michael Stubblefield

*The Opus Project Trio and Quartet


Paul Hindemith (1895-1963)   
Funny Songs in Swiss-German Dialect (1917)
     I. Schlössli bschnyde

Gärtner, chum cho d'Schlößli bschnyde!    
s'mags nid jedes Stündeli lyde,
s'git gar fyni drunder!

Und wär eis so weich wie Syde:
Chunt de Rächtcho d'Schlößli bschnyde,
denn passiert es Wunder.

Gartner, come the shoots cut!
S' may be's not every perennial suffering.
S'there is even fine eating!

Was the one as soft as silk:
the rights would be to cut the shoots,
then it happens!


Mark Alburger (b. 1957)   
The Lords Prayer, Op. 5 (1975) (Matthew 6:9-13, KJV)

Our Father which art in heaven,
Hallowed be thy name.
Thy kingdom come,
Thy will be done in earth,
as it is in heaven.
Give us this day our daily bread.

And forgive us our debts,
as we forgive our debtors.
And lead us not into temptation,
but deliver us from evil:
For thine is the kingdom,
and the power, and the glory, for ever. Amen.


THE OPUS PROJECT presents

OPUS 6 - 8pm, Saturday, June 29, 2013
Berkeley Arts Festival, 2133 University Avenue, Berkeley, CA

A Multi-Media Event, with Feona Lee Jones and The Opus Project Orchestra

Charles Ives (1874-1954)            The Fourth of July (1913)*
Arnold Schoenberg (1874-1951)            Song, Op. 6, No. 3 (1905)
Bela Bartok (1881-1945)            Bagatelles, Op. 6 Nos. 1-6 (1908)
Igor Stravinsky (1882-1971)            Melodie, Op. 6, No. 1 (1908)
Anton Webern (1883-1945)*            Two Pieces for Orchestra, Op. 6, Nos. 1-2 (1909)
Alban Berg (1885-1935)            Piece for Orchestra, Op. 6, No. 1 (1914)
Sergei Prokofiev (1891-1953)            Dreams, Op. 6 (1910)
Paul Hindemith (1895-1963)             Waltz, Op. 6, No. 1 (1916)
Dmitri Shostakovich (1906-1975)        Suite for Two Pianos, Op. 6, No. 1 (1922)
Samuel Barber (1910-1981)            Cello Sonata, Op. 6, No. 3 (1931)
Benjamin Britten (1913-1976)*        Suite for Violin and Piano, Op. 6, No. 1 (1935)
Mark Alburger (b. 1957)        Variations and Theme, Op. 6 (1976)

*130th and 100th-Anniversary Celebrations